216ethnicstudiesCollege Prep

Follow the visual story

Cartoons

Junior’s cartoons are part of the novel, not decorations. Follow them in printed-page order and notice what each image adds to the words around it.

Each short comment is one starting observation, not the only possible interpretation. Open the printed page to study the cartoon beside its exact context.

Chapter 1

The Black-Eye-of-the-Month Club

Junior draws himself with large glasses, a raised finger, and a stutter.

Printed page 5

Junior introduces drawing as a language that can cross barriers between people.

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Junior stands with his arms spread while a baby, a chainsaw, and a book fly above him. Three speech bubbles ask to be loved.

Printed page 6

Junior turns his wish to be noticed and loved into a comic juggling act.

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Chapter 2

Why Chicken Means So Much to Me

A chicken drumstick glows with rays of light on yellow paper. An arrow points to a handwritten label.

Printed page 8

The drawing makes hunger funny and serious at the same time.

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Cartoon from printed page 12 of the novel.

Printed page 12

Junior's labeled portraits record both of his parents' talents and unrealized dreams.

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Chapter 3

Revenge Is My Middle Name

Cartoon from printed page 19 of the novel.

Printed page 19

Exaggerated details let Junior show how vulnerable and conspicuous he feels.

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Cartoon from printed page 22 of the novel.

Printed page 22

A visual metaphor turns thought, fear, and imagination into something we can see.

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Rowdy leans toward the viewer with wide eyes and bared teeth. A faint figure is sketched behind him, and handwritten notes surround the portrait.

Printed page 23

An angry Rowdy resists being drawn; the Casper reference and nearby account of his love of comics complicate the fearsome portrait.

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Chapter 4

Because Geometry Is Not a Country Somewhere Near France

Mary stands with hands on hips, wearing a tie-dyed shirt, jeans, and sandals. Arrows label her appearance and where her clothes came from.

Printed page 27

Mary's profile mixes sharp observation with Junior's comic exaggeration.

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A very small Mr. P stands on a scale, wearing a tie and carrying a briefcase. Arrows point to his bald head, nose hair, and food stains.

Printed page 29

The labeled portrait turns Junior's first impression of Mr. P into visual evidence.

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An angry Junior sends a book flying toward Mr. P. The impact throws Mr. P backward beneath a large SMASH label.

Printed page 31

Junior draws the thrown textbook hitting Mr. P, making his anger and its consequences visible.

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Chapter 5

Hope Against Hope

Cartoon from printed page 33 of the novel.

Printed page 33

The small figure and large landscape make the world beyond home feel enormous.

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Junior, wearing glasses, faces a smiling Mr. P. Speech bubbles make their conversation look like a confession.

Printed page 36

A confession cartoon reverses teacher and student roles after Mr. P admits how teachers harmed Native children.

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Cartoon from printed page 38 of the novel.

Printed page 38

A parody of a romance cover helps Junior question a familiar stereotype.

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Junior stands beside a sign. Rez and Home point toward houses and trees. Hope and question marks point the other way.

Printed page 43

The drawing gives physical shape to Mr. P's idea that hope lies farther away.

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Chapter 6

Go Means Go

Cartoon from printed page 44 of the novel.

Printed page 44

The image holds Junior at the moment when thinking about leaving becomes a family decision.

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Cartoon from printed page 47 of the novel.

Printed page 47

Hope appears as a destination, but the distance makes the choice look difficult.

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Chapter 7

Rowdy Sings the Blues

A winged horse flies among smiling clouds. The word white repeats underneath the drawing.

Printed page 51

A winged horse makes hope look almost mythical, while repeated “white” labels connect that hope to Junior’s view of Reardan.

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A close-up of Rowdy shows his open mouth, angry eyes, and clenched expression. Three speech bubbles attack Junior.

Printed page 53

The close-up freezes the anger and hurt inside the friends' separation.

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Chapter 8

How to Fight Monsters

Cartoon from printed page 56 of the novel.

Printed page 56

Junior turns his fear of Reardan into a cartoon monster he can name and face.

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Cartoon from printed page 57 of the novel.

Printed page 57

The labeled figure exposes the stereotypes Junior encounters and the contradictions he feels.

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Penelope sits at a school desk with her arms resting on the chair in front. Junior adds a large arrow and an admiring handwritten label.

Printed page 59

Junior's portrait of Penelope records attraction before he knows much about her.

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A small, frightened Junior stands inside a ring of much larger figures. Speech bubbles surround him with racist names.

Printed page 63

The crowd of words shows how repeated insults can surround a person.

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Chapter 9

Grandmother Gives Me Some Advice

Grandmother stands with folded arms in a flowered dress, bandana, large belt buckle, and basketball shoes. Arrows label her clothes, cooking, and beadwork.

Printed page 69

Grandmother Spirit's portrait emphasizes the knowledge and care Junior sees in her.

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Eugene sits on a large motorcycle, with one foot on the ground and his hands on the handlebars. The drawing is on blue paper.

Printed page 72

Eugene's motorcycle portrait connects style, movement, and possibility.

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Chapter 12

Slouching Toward Thanksgiving

Cartoon from printed page 83 of the novel.

Printed page 83

The cartoon makes Junior's isolation visible through an exaggerated pose.

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Cartoon from printed page 85 of the novel.

Printed page 85

A science-class joke turns conflict with a teacher into a visual comparison.

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Cartoon from printed page 87 of the novel.

Printed page 87

The drawing compresses a long and difficult trip into one memorable image.

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A Monday-through-Friday comic tracks Junior’s trips to school. He hitchhikes, walks after a breakdown, rides with Mom, and misses school when no ride comes.

Printed page 88

The panels track how money, transportation, and chance shape Junior's school day.

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Cartoon from printed page 90 of the novel.

Printed page 90

The cartoon lets Junior imagine Mary's new life while recognizing how little he knows about it.

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Junior points in surprise at Gordy. Gordy, wearing glasses, stands calmly with crossed arms as they talk about excitement over books.

Printed page 96

The dialogue makes Gordy's excitement about books both comic and important.

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Chapter 14

Thanksgiving

Two superheroes, marked R and A, meet their fists in the middle.

Printed page 102

Junior uses a shared Thanksgiving memory to reach back toward Rowdy.

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Chapter 15

Hunger Pains

Junior draws Dad with two braids and both hands raised. A speech bubble excuses his drinking, and a handwritten note addresses Dad.

Printed page 107

Junior draws Dad’s excuse about drinking beside Penelope’s similar explanation, revealing a pattern Junior recognizes in their responses to pain.

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Cartoon from printed page 110 of the novel.

Printed page 110 · cartoon 1

The caricature lets Junior joke about romance, identity, and how other people see him.

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Cartoon from printed page 110 of the novel.

Printed page 110 · cartoon 2

The labeled portrait records Junior's sharply critical first impression of Earl.

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A bird spreads its wings upward on graph paper. A handwritten caption links its feathers to long-distance flight.

Printed page 112

The bird diagram turns Penelope's dream of travel into an image of flight.

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Junior’s portrait of Penelope wearing a hat with ear flaps, drawn on blue paper.

Printed page 113

This portrait shows Penelope through Junior's admiring gaze, which readers can also question.

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Chapter 16

Rowdy Gives Me Advice About Love

Gordy smiles over an open book, resting his head on one hand. He wears glasses, and the portrait is drawn on yellow paper.

Printed page 117

Junior draws Gordy absorbed in a book, connecting the pleasure of reading with a friend who challenges his thinking.

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Chapter 17

Dance, Dance, Dance

A six-panel cartoon titled How to Pretend You're Not Poor shows Junior giving excuses about lunch, a school event, a bake sale, an iPod, and an Indian ceremony.

Printed page 120

The comic panels show the excuses Junior uses to hide hunger and poverty.

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Cartoon from printed page 121 of the novel.

Printed page 121

Labels turn an old suit into evidence of Junior's worry about fitting in.

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A stack of pancakes sits beside butter and syrup. Junior labels each ordinary breakfast item with a word about disaster or regret.

Printed page 123

A simple plate makes the cost of the evening feel immediate and concrete.

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A cartoon asks Are You Poor? and shows five possible responses from Junior: no, yes, a joke about pores, a long explanation, and a distraction followed by running away.

Printed page 128

The question-and-answer panels show how hard it is for Junior to say that he is poor.

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Chapter 19

My Sister Sends Me a Letter

Cartoon from printed page 134 of the novel.

Printed page 134

The drawing places Mary's hopeful description beside Junior's more skeptical view.

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Chapter 20

Reindeer Games

Junior's labeled portrait shows Coach standing with his hands on his hips, a whistle around his neck, shorts, and a speech bubble saying LISTEN UP.

Printed page 137

Junior's labeled portrait makes Coach both commanding and funny, pairing a thunderous voice with ordinary physical details.

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Cartoon from printed page 138 of the novel.

Printed page 138

Exaggeration makes the physical strain of practice visible and comic.

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Junior charges forward with a basketball, an open mouth, flying hair, and long motion lines. A shouted sound appears above him.

Printed page 141

Junior's charging pose, shout, and motion lines exaggerate his determination during the basketball tryouts.

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Chapter 22

Red Versus White

Cartoon from printed page 156 of the novel.

Printed page 156

A visual comparison helps Junior think through differences he sees between communities.

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Chapter 23

Wake

A large crying face sits inside a ring formed by three smaller people holding hands. Wavy lines surround the crying face.

Printed page 159

A circle of people around a crying face makes grief and shared support visible at Grandmother's wake.

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A labeled portrait of Ted shows a long-haired man wearing a patterned vest, jewelry, fringed clothing, and boots, with arrows naming the objects and their prices.

Printed page 162

A labeled caricature helps Junior expose the visitor's assumptions.

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Two faces share one outline. One face smiles; the other cries. Long lines flow between them.

Printed page 166

The drawing holds laughter and tears together during the wake.

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Cartoon from printed page 168 of the novel.

Printed page 168

The panels show several ways people speak and act around grief.

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Chapter 24

Valentine Heart

Cartoon from printed page 170 of the novel.

Printed page 170

The short sequence uses humor to record rules, memory, and respect.

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Cartoon from printed page 171 of the novel.

Printed page 171

Junior answers loss by turning anger at religion into a cartoon.

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Cartoon from printed page 172 of the novel.

Printed page 172

The open book connects reading, language, and Junior's search for help with grief.

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Cartoon from printed page 174 of the novel.

Printed page 174

The chart organizes the practical reasons grief changes Junior's school attendance.

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Chapter 25

In Like a Lion

Two panels show Junior dribbling a basketball. The Wellpinit crowd boos him and the Reardan crowd cheers him. He asks Who am I? in both panels.

Printed page 182

The paired gyms give Junior opposite crowd reactions while he asks the same question, “Who am I?”, in both.

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Junior appears inside a television screen. A speech bubble thanks the audience and says he is going to vomit. Under the screen he writes I AM A TV STAR!

Printed page 187

Junior draws himself as a television star whose grateful speech ends with an urge to vomit, mixing public attention with private nerves.

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Chapter 27

Because Russian Guys Are Not Always Geniuses

Junior laughs wildly in the passenger seat while his father drives and looks toward him. Repeated HA letters fill the space behind Junior.

Printed page 204

A comic reaction makes shock and relief arrive in the same moment.

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A drawn book cover titled Burning Love shows a man and woman surrounded by flames. A speech bubble says Thanks a lot, Junior!

Printed page 213

The imagined Burning Love cover places a blaming voice beside a couple in flames, joining grief, guilt, and accusation.

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Chapter 28

My Final Freshman Year Report Card

Junior's illustrated final report card sits on a yellow starburst, surrounded by orange stars. It lists school subjects and letter grades under his name.

Printed page 214

The report-card format turns Junior's year into a compact record of struggle and progress.

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Chapter 29

Remembering

A childhood drawing shows two boys holding hands as they jump toward water. Captions identify Rowdy and Junior in third grade at Turtle Lake.

Printed page 218

A remembered third-grade leap into Turtle Lake shows Junior and Rowdy holding hands, preserving their childhood closeness.

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